Radicant Questions up to pg. 78

1.
If one sees the art with no background information about the piece can it then be critiqued without background of the artist?

2.
Does not the population that an artist deals with make a difference with local competition and ideals, for instance the flaux of NYC?

3.
Is not all of America from somewhere else in some sort of timeline, how does that differ from old Europe, and is there more concrete historical contexts?

4.
QUESTION QUOTE: "Where should we go?"

5.
Does not graphitti and invention of new materials make for "new" art?

6.
Am I radical or radicant, or both?